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圣女贞德受难记 (1928) 海报
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圣女贞德受难记The Passion of Joan of Arc

The Passion of Joan of Arc圣女贞德受难记

剧情Drama 1928 82 分钟82 min 评分 8.1Rated 8.1
导演Director
卡尔·西奥多·德莱叶Carl Theodor Dreyer
上映Released
1928
片长Runtime
82 分钟82 min
类型Genre
剧情Drama
画质Quality
4K HDR · 修复版Restored
收录时间Added
2026-06-30
播放次数Views
3.5 万3.5k

剧情简介Synopsis

《圣女贞德蒙难记》(法语:La Passion de Jeanne d'Arc)是一部1928年的法国无声电影,故事改编自圣女贞德的真实事迹,叙述了她作为英格兰俘虏所经历的审判和处决 。本片导演为卡尔·德莱叶,编剧为卡尔·德莱叶与约瑟夫·德泰尔,摄影为鲁道夫·马特,由玛丽娅·法尔康纳蒂与米歇尔·西蒙主演。本片被广泛承认为影史的一座里程碑 ,它的制作、德莱叶的导演和法尔康纳蒂的表演都位于影史最佳之列。The Passion of Joan of Arc (French: La Passion de Jeanne d'Arc) is a 1928 French silent historical film based on the actual record of the trial of Joan of Arc. The film was directed by Carl Theodor Dreyer and stars Renée Jeanne Falconetti as Joan. It is widely regarded as a landmark of cinema, especially for its production, Dreyer's direction and Falconetti's performance, which is often listed as one of the finest in cinema history. The film summarizes the time that Joan of Arc was a captive of England, depicting her trial and execution. Danish director Dreyer was invited to make a film in France by the Société Générale des Films and chose to make a film about Joan of Arc due to her renewed popularity in France. Dreyer spent over a year researching Joan of Arc and the transcripts of her trial before writing the script. Dreyer cast stage actress Falconetti as Joan in her only major film role. Falconetti's performance and devotion to the role during filming have become legendary among film scholars. The film was shot on one huge concrete set modeled on medieval architecture in order to realistically portray the Rouen prison. The film is known for its cinematography and use of close-ups. Dreyer did not allow the actors to wear make-up and used lighting designs that made the actors look more grotesque. Prior to its release, the film was controversial due to French nationalists' skepticism about whether a Dane could direct a film about one of France's most revered historical icons. Dreyer's final version of the film was cut down due to pressure from the Archbishop of Paris and government censors. For several decades, it was released and viewed in various re-edited versions that attempted to restore Dreyer's final cut. In 1981, a print of Dreyer's final cut was discovered in Dikemark Hospital, a mental institution just outside Oslo, Norway, and re-released. Despite the objections and cutting of the film by clerical and government authorities, it was a major critical success when first released and has consistently been considered one of the greatest films ever made. It has been praised and referenced by many film directors and musicians. The film was voted number 4 on the prestigious Brussels 12 list at the 1958 World Expo. As a work published in 1928, the film entered the public domain in the United States in 2024.

本片已进入公有领域,资料来源于维基百科。This film is in the public domain. Reference data from Wikipedia.

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